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Sue Ane Langdon. Joi Lansing. Neil Armstrong. Jane Asher. Claudine Auger. Ewa Aulin. Burt Bacharach. Joan Baez. David Bailey. Carroll Baker. Anne Bancroft. Brigitte Bardot. George Barris. Toni Basil.

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Shirley Bassey. The Beach Boys. The Beatles. Bo Belinsky. George Best.

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Honor Blackman. Craig Breedlove. May Britt. Jim Brown. Lenny Bruce. Dyan Cannon. Truman Capote. Corky Carroll. Diahann Carroll. Johnny Carson. Johnny Cash. Ray Charles. Julie Christie. Chris Clark. Patsy Cline. James Coburn. Judy Collins. Sean Connery. Mike Connors. Yvonne Craig. Bobby Darin. Donna de Varona. Angie Dickinson. Tom Donahue. Donna Douglas. Patty Duke. Bob Dylan. Shirley Eaton. Barbara Eden. Anita Ekberg. Mia Farrow. Sally Field. Peggy Fleming. Jane Fonda. Anne Francis. Aretha Franklin. Betty Friedan.

Al Fritz. Marvin Gaye. Bobbie Gentry. Astrud Gilberto. Curt Gowdy. Vince Guaraldi. Che Guevara. Linda Harrison. Susan Hart. Goldie Hawn. Bob Hayes. Joey Heatherton.

10 great but forgotten TV documentaries of the 1950s and 60s

David Hedison. Tippi Hedren. Hugh Hefner. Playmate Stats. Jimi Hendrix. Audrey Hepburn. Dustin Hoffman.

Unforgettable (TV Series –) - IMDb

Paul Hornung. Olivia Hussey. Lee Iacocca. I Spies. Fran Jeffries. Candy Johnson. Carolyn Jones.

The Best American Songs from the 50's

Tom Jones. Janis Joplin. Robert Kennedy. Ken Kesey. Daliah Lavi. George Lazenby. Janet Leigh. Richard Lester. John Lindsay. Peggy Lipton. Liz and Dick. Julie London. Claudine Longet. Jack Lord. Donna Loren. Sophia Loren. Loretta Lynn. Sue Lyon. Meredith MacRae. Pete Maravich. Lee Marvin. Peter Max. Eugene McCarthy. Denny McLain. Steve McQueen. Hayley Mills. Yvette Mimieux. Peggy Moffitt. The Monkees. Marilyn Monroe. Keith Moon. Jim Morrison.

Janet Munro. Murph the Surf. Jack Nicholson. Chris Noel. Kim Novak. Arnold Palmer. Barbara Parkins. Wilson Pickett. Sylvia Plath. Sidney Poitier. Stefanie Powers. The Presleys. Juliet Prowse. Mary Quant. The Rat Pack. Otis Redding. In true Reed fashion, the song takes itself to a place of incomparable longing to hear these words from very particular people.

All the time. Lamenting his perceived musical shortcomings, as well as his falling star among jazz critics, he decided to retire. He stopped recording and performing, but never stopped practicing. He worked on his new sound at the crest of the Williamsburg Bridge so as not to disturb the neighbors in his Lower East Side apartment.

But the title track was an original, inspired by the hundreds of hours he spent suspended between Manhattan and Brooklyn. This is what it sounds like when garbage glitters like gold. At a time of zodiac signs and loud clothing, Mel was painting pictures of the very struggle that gave birth to rap music. Ben E. King who owns it. He was eventually persuaded to take on the project just five weeks before the piece was set to debut at Aeolian Hall in midtown. He was forced to improvise, more or less building the backbone of the song as the performance went along. Diamond needed New York, something he made clear years later with his cinematic star turn in The Jazz Singer.

Womack describes, in great detail, the s Harlem that many like to pretend still exists today. But really, with its lush string arrangements and Philly soul groove, the song is a time capsule of both a sound and a New York that, for good or for bad, are long gone. Fair enough. He understood its brutal bustling heart, that vast avenue dedicated to selling tinseled dreams to a lonely nation.

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Fuck Don Draper, folks. Hell, fuck Don DeLillo. Scott-Heron may be gone from this world, but his sly social critiques just keep getting louder. That was before George Benson got his hands on it. The 6 train never comes. He literally could not stop making hit records, even when he tried and he did try. When this incredible run brought John and lyricist Bernie Taupin to New York for the first time, it seemed inevitable that the two would have something to say about the city that both had long romanticized from afar.

On one of his first nights in town, Taupin heard a gunshot outside of his hotel room. He thought of Ben E. Fowl language was never so fly. Is this song about his career? Is it about terrorism? How New York is it? Although many of the sung versions contain their own interpretation of the lyrics, each drives home the same message — New York City between the end of a sultry, unlivable summer and an even more insufferable winter is about as damn near perfect as it gets in the Big Apple.

Los Angeles? Though Mitchell has apparently dismissed her composition as a bit of a treacly, nascent effort, the sweet gem was covered by three artists — Judy Collins, Fairport Convention, and Jennifer Warnes — before Mitchell herself even released it.

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Where each block is like a maze full of trapped rats. Apart from the memorable melody and lyrics, the piano licks that accompany a blossoming sax solo give the song a quintessentially New York jazz feel. John, but its hot-summer-asphalt beat and back-alley-hiss chorus are NYC through and through — just like Jeffreys himself. His rock-, soul-, and reggae-inflected albums brought him a measure of acclaim in the late s, but even back then Jeffreys was an underrated and underappreciated homegrown virtuoso.

Though it was written by longtime Ellington collaborator Billy Strayhorn, the song will forever be associated with the Duke. It has lyrics the A train is how you get to Harlem, in case you were wondering , and some of the greatest jazz vocalists have recorded and performed it, but the instrumental versions — with the woodwinds driving the melody — are the most easily recognizable. Did all those kids perish as Carroll sings that they did?