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Read an excerpt of this book! Add to Wishlist. USD Sign in to Purchase Instantly. Overview Sinascape: Contemporary Chinese Cinema is one of the most comprehensive studies of transnational Chinese-language films at the turn of the millennium. Gary Xu combines a close reading of contemporary movies from China, Taiwan, and Hong Kong with an intimate look into the transnational Chinese film industry, based on his working relationship with filmmakers.

He coins the word 'sinascape' to reflect on the intersection between Chinese cinema and global cultural production, referring to cinematic representations of ethnic Chinese people around the globe. Sinascape describes contemporary Chinese cinema as a global network and a group of contact zones where ideologies clash, new identities emerge through both border crossings and resistance to globalization , and visual innovations and progressive visions become possible. General readers, film enthusiasts, and critics alike will benefit from Xu's discussion of popular film, which leads to a broader conversation about China's economic transformations, global politics, and cultural production.

About the Author Gary G. Xu is associate professor of Chinese, comparative literature, cinema studies, and criticism in the Department of East Asian Languages and Cultures at the University of Illinois, Urbana-Champaign. Average Review. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Serving as a study of Chinese-language films, this title emphasizes the transnational nature of contemporary Chinese cinema. It provides readings of most of the important films of China, Taiwan, Hong Kong, and explores the interactions and transactions among these films and between Chinese cinema and Hollywood.

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Publisher Synopsis Sinascape is an exciting study of transnational Chinese cinema in the early twenty-first century. User-contributed reviews Add a review and share your thoughts with other readers.

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Sinascape: Contemporary Chinese Cinema

Master and use copy. Digital Library Federation, December Table of contents. By the early , Let the Bullets Fly had become the highest grossing domestic film in China's history. Since the late s and progressively in the s, Chinese films have enjoyed considerable box office success abroad.

Formerly viewed only by cineastes, its global appeal mounted after the international box office and critical success of Ang Lee 's period martial arts film Crouching Tiger, Hidden Dragon which won Academy Award for Best Foreign Language Film in This multi-national production increased its appeal by featuring stars from all parts of the Chinese-speaking world. It provided an introduction to Chinese cinema and especially the wuxia genre for many and increased the popularity of many earlier Chinese films.

To date Crouching Tiger remains the most commercially successful foreign-language film in U. Similarly, in , Zhang Yimou's Hero was another international box office success. Despite criticisms by some that these two films pander somewhat to Western tastes, Hero was a phenomenal success in most of Asia and topped the U. The Hengdian World Studios can be seen as the "Chinese Hollywood", with a total area of up to ha. The successes of Crouching Tiger, Hidden Dragon and Hero make it difficult to demarcate the boundary between "Mainland Chinese" cinema and a more international-based "Chinese-language cinema".

This merging of people, resources and expertise from the three regions and the broader East Asia and the world, marks the movement of Chinese-language cinema into a domain of large scale international influence. The ease with which ethnic Chinese actresses and actors straddle the mainland and Hong Kong has significantly increased the number of co-productions in Chinese-language cinema. Many of these films also feature South Korean or Japanese actors to appeal to their East Asian neighbours.

In , Chinese cinema was the third largest film industry by number of feature films produced annually. Average ticket price was down about 2. From Wikipedia, the free encyclopedia. National film. Play media.

Cinema of China

China portal Film portal. Broadway Cinematheque. Retrieved January 4, EntGroup Inc. Retrieved October 15, Retrieved January 1, University of Wisconsin-Madison. Retrieved 27 July The Hollywood Reporter. Retrieved December 21, Deadline Hollywood.

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Retrieved November 15, International Business Times. Retrieved 16 November Oxford: Oxford University Press, p. The University of Vienna- Sinologie Program. Retrieved East Asian Cinema. Kamera Books. University of California-San Diego. Archived from the original on Ohio State University. Oxford: Oxford University Press, pp. The Chinese Mirror. Retrieved 23 January A Companion to Chinese Cinema. Honolulu: University of Hawai'i Press. Archived from the original on March 7, British Film Institute.

BFI: Palgrave Macmillan, p. BFI: Palgrave Macmillan, pp. Retrieved on Retrieved April 3, Electric Sheep. New York Times. Senses of Cinema. The San Francisco Examiner. Chinese Documentaries: From Dogma to Polyphony. Cinema, Space, and Polylocality in a Globalizing China. University of Hawai'i Press. Celebrity in China. Hong Kong University Press. New Statesman. China Daily. Blackwell Publishing.

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Film Business Asia. Archived from the original on 19 March Retrieved February 9, Retrieved February 21, China Film Insider. Retrieved March 1, Archived from the original on July 30, Archived from the original on January 6, Retrieved January 6, Archived from the original on February 5, Archived from the original on March 19, Retrieved June 19, Retrieved January 2, Retrieved October 9, Los Angeles Times.

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